Ideas don’t come from agencies. They come from people.
That’s a firmly-held belief at The Kitchen, Kraft Heinz’s in-house agency. And, in recent months, they’ve been practising what they preach with five new hires at the creative director level. Gira Moin, Ananta Prayitno, Corey Winnicki, Phil Coulter, and Brendan Sack have all joined the agency, adding lashings of experience and a generous helping of energy to The Kitchen’s creative recipe. That’s set to be applied across all of Kraft Heinz’s repertoire of brands, continuing to carve out places within culture and turning audiences’ heads.
The Kitchen’s creative firepower just got a major boost. With five new Creative Directors joining the team, their combined experience spans every corner of the industry. Together, they’ve shaped iconic campaigns, earned global recognition, and pushed the boundaries of creativity. They’ve crafted beloved Super Bowl spots, led national brand platforms, and driven award-winning work across film, digital, social, and experiential. Their expertise extends beyond traditional advertising—designing immersive retail spaces, producing live events, and even reimagining physical brand headquarters.
With a shared passion for ideas that move culture, this collective brings a diverse set of skills that strengthen The Kitchen’s ability to create breakthrough work. More than just individual achievements, their combined experience reflects a commitment to craft, innovation, and making brands matter in unexpected ways.
But like any good recipe, the ultimate aim with The Kitchen is to produce something that’s greater than the sum of its parts. Executive Creative Director Simon Au explains that “what’s most important for us about adding Gira, Ananta, Corey, Phil and Brendan is what they add to the exceptional talent we already have across The Kitchen’s creative leadership. Now more than ever before, we’re able to unlock creativity and ideas for brands to help them break through at the speed of culture”.
To find out more about the five new CDs’ plans for their roles - and how working in-house is helping them to deliver on ideas that cut through in 2025 - LBB’s Adam Bennett caught up with Gira, Ananta, Corey, Phil, and Brendan.
It’s been an industry trend for some time now, but the shift of talent towards in-house agencies is beginning to reach a critical mass. In fact, it’s now less of a ‘trend’ than something that’s simply an established part of the marketing landscape. For creative directors like Brendan, that was part of the driving force that led him to The Kitchen.
“Kraft Heinz and The Kitchen are at the forefront of advertising’s future”, he tells LBB. “It’s one thing to be a traditional agency that claims it works at the speed of culture. It’s another thing to be specifically designed from the ground up to actually do so. Our mandate is clear and to be able to work on great brands in this new paradigm is an exciting opportunity.”
That level of direct access to top tier brands under the Kraft Heinz umbrella isn’t just appealing to creative talent in terms of prestige - it’s also something that can help unlock even better work. “There’s something really exciting in the fact that some of the greatest agencies in the world only have one, two, or a handful of our brands… while The Kitchen has all of them”, explains Ananta. “There’s so much opportunity for brand-building and fostering actual consumer brand love.”
And it all adds up to something of a self-fulfilling prophecy. “For me, it was all about momentum”, reflects Phil when asked why now was the right time to join. “The Kitchen is evolving - not just creatively, but we’re embedding ourselves further into the business. That’s something I wanted to be a part of.”
That’s a sentiment which has been borne out of the in-house agency’s strong growth. “In just three years, we’ve expanded from 4 to 19 brands, grown our team from 35 to over 135 across two offices, and we're still growing—with 40+ open roles to fill in 2025. This expansion is a direct result of the trust Kraft Heinz places in us”, notes Tom Evans, Head of The Kitchen North America. “We now deliver creative for 70% of the media plan across 90% of brands we work on, producing full 360 campaigns, platform-native social and influencer content, and cultural activations that make our brands stand out. As the creative agency of record for select brands, we’ve become a strategic growth driver for Kraft Heinz—proactively shaping opportunities, creating briefs instead of waiting for them, and delivering measurable business impact.”
Across the board, there’s a feeling that The Kitchen’s scale and success is enabling the team to spark trends rather than chase them - or to be the signal, not the noise. And for a team of high-quality creatives, there’s little more exciting than that.
This attitude means that Kraft Heinz brands have developed a helpful knack for carving out their own space within culture.
“The Kitchen does a great job with work that doesn’t force its connections - things like the #FindTheKetchupBoatGuy, Ore-Ida’s Tot Protecting Pants, Mustard x Mustard collab… they aren’t just fun, distinctive ideas, they’re from truly ownable cultural truths”, as Ananta explains. “Every so often a piece of content from our brands pops up on my own For You Pages, and it feels engagingly native to the space (and that’s high praise for brand social!).”
And there’s a direct link between those success stories and achieving the relevance required to drive growth - a legacy the team is keen to continue building on.
Ideas that move the cultural needle aren’t exclusive to in-house agencies - but the team all agree that working in-house does make it easier to find those aspects of a brand that might help reinvent it.
“From fiery upstart brands like Liquid Death to more established ones like Meta, Spotify, or Kraft Heinz, people are getting jealous of the kind of work you can build in-house”, says Ananta. “A lot more people are seeing it for the shortcut to trust that it is. Being in-house means you’re legit in saying you’re looking out for the best for a brand - you have a vested interest.”
And within the industry, it’s becoming an increasingly popular choice for talented creatives. “It gives you the ability to break down the walls between creative and brand”, adds Phil. “Plus, collaborating early and often in more informal ways helps to humanise the process.”
It’s a sentiment summed up by Gira. “Creating reactive, culturally relevant work takes speed, agility, and a deep connection to the brand,” she says. “Being in-house gives us the ability to move fast and make shit happen.
In the wider marketing context, this is all happening at a time where media is more oversaturated than ever before. Getting a fair hearing from modern audiences is a challenge - one that the ability to hack into culture can help brands overcome.
“There’s way more fish in the digital deep sea and they’re all trying to hook the next big trend. The secret is tapping into what really makes the consumer and audience tick, from nostalgia to pure originality”, says Corey. “You gotta let go of the ego and really open yourself up to the world. Letting loose, keeping the mind open and most importantly having fun while doing it. Because if you are, chances are they will.”
“The secret to ensuring a brand gets heard is reminding themselves what Shakespeare once wrote: ‘And this above all, to thine own self be true.’”, summarises Brendan. “As a brand you must really know who you are and stick to it. Find what makes you unique and special, and if you can’t find it, create it. This takes enormous courage because it could mean trying
something new that makes you a little uncomfortable.”
For these creatives - and increasing numbers across the industry - those new ideas are being cooked up in-house.