Govett-Brewster Art Gallery Re-opens with Permanent Home for Len Lye Collection

New Zealand has re-opened the doors to its contemporary art museum in New Plymouth, the Govett-Brewster Art Gallery, with a new addition dedicated to the pioneering filmmaker and kinetic sculptor Len Lye. The opening on 25 July is the culmination of more than three decades’ commitment to realising a permanent home for Lye’s work, a significant collection and archive of more than 18,000 items. 

The Len Lye Centre, designed by New Zealand’s Patterson Associates, is the repository of the works, archive and spirit of Len Lye (1901–1980). The new Len Lye Centre features Lye’s work in kinetic sculpture, film, painting, drawing, photography, batik and writing, as well as related work by contemporary and historical artists.

Simon Rees, Govett-Brewster Art Gallery Director, commented: “The centre’s expansive exhibition spaces, research archive, learning centre, and 62-seat cinema provides the Govett-Brewster the means to truly research, exhibit and disseminate the unique work and vision of Len Lye”. The addition of the Len Lye Centre enables a new international connectivity, especially through its cinema, and brings the museum into contact with the modern in a productive way, says Rees.

The Len Lye Centre building, adjoining the Govett-Brewster Art Gallery, is an example of innovative thinking in both engineering and architecture. The architects, Patterson Associates, are one of New Zealand’s most internationally recognised architectural firms. A temple for art, the space creates a sensory experience of light that Len’s legacy inspires. The external stainless steel façade echoes the artist’s use of the metal in many of his kinetic sculptures, and the futuristic style of the building acts as a counterfoil to the neighbouring Govett-Brewster’s more traditional lines. It also houses a state-of-the-art 62-seat cinema – a welcoming environment for audiences to experience Len Lye’s films, local and international cinema, arthouse and experimental films, and regular film festival programming. In 1964 Len Lye said “Great architecture goes fifty-fifty with great art”

Born in Christchurch, New Zealand in 1901, Lye spent most of his career as an artist in London and New York where his work was displayed in some of the most influential exhibitions of their time, such as the ‘London International Surrealist Exhibition’ curated by Herbert Read in 1936, and ‘Directions in Kinetic Sculpture’ at the Berkeley Art Museum in 1966. Today his sculptures are held in the collections of the world’s most prestigious institutions of modern art including the collections of several major art museums, such as the Whitney Museum of American Art in New York and the Art Institute of Chicago. Lye’s film work is included in the New Zealand film archive, the British Film Institute and the Museum of Modern Art (MoMA), New York.

Lye exhibited at the Govett-Brewster in 1977 and falling in love with the energy and landscape of New Plymouth, he chose the contemporary art museum to be the home of Len Lye. Just months before his death in 1980, Lye established the Len Lye Foundation to continue his artistic vision, gifting his entire collection and archive to be cared for by the Govett-Brewster.

Simon Rees says Lye was attracted to the Govett-Brewster because since its opening in 1970 it has forged a reputation for ground breaking exhibition making, and producing projects with artists at fulcrum moments in their careers: the inaugural exhibition was given over to a 23-year old artist, and Lye’s 1977 exhibition was the first survey of his work. 

“Many works made for these exhibitions, such as Trilogy (A Flip and Two Twisters) have been acquired for the Govett-Brewster Collection, which keeps artists connected with the museum for long periods. Many people are aware of the important relationship (spanning three generations) the museum has with New Zealand artists such as Billy Apple, Mladen Bizumic, Fiona Clark, Don Driver, et al., Peter Peryer, and Peter Robinson, and the strong collection of Colin McCahon works. They should also know that it has exhibited work by a range of renowned international artists ahead-of-the-curve including; Makoto Aida (2004), Candice Breitz (2003), Luke Fowler (2003), Christian Marclay (2001), Maix Mayer (2002), Jonathan Monk (2000), Pae White (2002) and Christopher Williams (2001).”