FCB Inferno has announced it will be showing David
Vintiner’s work as the latest installment of its in-house bi-monthly art
exhibitions, which can be seen at their central London office. The series,
‘TRANSHUMAN’, captures the way in which technology can improve the human
condition.
After the success of the agency’s first exhibition (Tanoa
Sasraku-Ansah’s ‘Outdoorzy Types’ series), FCB Inferno is continuing to
showcase as many challenging and powerful artists as possible in order to
expand on and redefine the meaning of creativity. As the Interesting Art
project continues, it goes to prove how we should embrace the new and the
different to be inspired to produce fresh and pioneering ideas for brands.
Vintiner’s ‘TRANSHUMAN’ is an original and in-depth project
which addresses the newly emerging, symbiotic relationship between biological
and technological evolution. As technology and access to technology becomes
ever more democratised, it fosters a culture of hacking, disruption and
invention, allowing individuals to design their own evolution. The partnering
of biology and technology has brought into being the Futurist and Transhumanist
thinkers, whose backgrounds range from academia through to experimental bedroom
hackers.
The exhibition is a product of four years of work, with
Vintiner and art director Gem Fletcher flying all over the world, from London,
to Moscow and Austin, Texas, USA in order to document this movement. The work
has been divided into three main chapters: People overcoming medical trauma and
using advanced technology to regain control of their lives and redefine
prosthetics, the DIY-ers who are actively introducing technology to their own
bodies in the hopes of transcending biological limitations, and lastly the post
human Transhumanists who are seeking immortality, through the belief that
medical advances combined with developments in AI will, in our lifetime, allow
for a human to indefinitely postpone ageing and death. David Vintiner is a
master observationalist, and curiosity is the lifeblood of his work. He has a
unique ability to both uncover the weird and wonderful, and also transform the
mundane into the miraculous.
His work makes you look at the world differently, revealing
a new perspective on things we thought we knew. His projects focus on human
behaviour, his sensitive, subtle approach allows him to appear native in even
the most bizarre scenarios. Vintiner’s distinctive visual style, marrying cool
tones with graphic compositions, brings a quiet intensity to his work. He
regularly shoots editorial work for the likes of The Guardian Weekend Magazine,
The Sunday Times Magazine, Esquire and Wired and has been selected for numerous
awards including the Taylor Wessing Portrait Prize. Several of his portraits
are included in the National Portrait Gallery’s permanent collection.
Chief creative officer, Owen Lee says; “In life you can
choose either to run away from the unknown or embrace it. With the emergence of
newer and more developed technology, what once seemed impossible is now just
within our reach. This exhibition shows how the lines between imagination and reality
become more blurred than ever before and acts as inspiration in successfully
creating a platform where new ideas can quickly become revolutionary.”
David Vintiner said: “What we are seeing within the
transhumanist movement is an impatience at the speed of biological change. All
the people featured in this body of work are seeking to take evolution into
their own hands, to overcome any biological imperfections and enhance us to
fulfill our potential. They do not fear technology, it is the key to
determining the very future of humanity.”