Carlsberg is a brand with such a strong
voice and proposition that when its ‘If Carslberg did’ strapline was retired,
the public never quite let go. Something about the rhythm of the copy and the daydream
fantasy lodged the line into consumers’ collective consciousness. That’s why
last year the brand revived the ‘ICD’ line after just four years on the bench.
Since then, they’ve taken the concept into the real world, with an increasingly
playful, experiential and responsive approach. The moments and stunts helped
broaden the brand’s appeal beyond the traditional core of football fans, while
the agile ‘newsroom’ approach plonked itself right in the middle of current
events. LBB’s Laura Swinton caught up with senior brand manager, Dharmesh Rana.
LBB> How would you characterise Carlsberg as
a brand?
DR> In the UK, we are all about
quality entertainment, intelligent wit and delivering the unexpected.
LBB> How long have you been working for
Carlsberg? And on a personal level, what’s it like marketing a brand that’s got
quite a playful vibe?
DR> I have been working
on the Carlsberg brand for just over five years now and I’ve
been fortunate to see our approach to marketing evolve considerably over the
last couple of years. The playful vibe is what makes Carlsberg the brand it is,
we’re really lucky that we have such a versatile brand idea that’s all about
creating entertainment.
LBB> One of your recent campaigns was the
creation of a Carlsberg shopping trolley. What was the starting point for this idea?
Of all the things to Carlsberg-ify, why was that the thing to do?
DR> One
of our key areas of focus this year is getting closer to the point of consumer
purchase and leveraging our customer relationships for mutually beneficial
activations. Shopping for groceries isn't always the most exciting thing to do,
so we wanted to add a little If Carlsberg Did magic to the process and address
the insights we receive, such as wonky trolley wheels and struggling to find
the right supermarket aisle, to make the experience of purchasing our products
more enjoyable for our customers.
LBB> How much of the construction of the
trolley did you get to see? And what was your reaction when you saw the
finished thing?
DR> After working up the creative
mock-ups of the trolley with two of our agencies, Fold7 and Clifford French,
and briefing the various customisations, we visited the team at Yiannimize five
times. We wanted to ensure that all aspects of the trolley, including the electric
engine, beer cooling system and satellite navigation, were in place and that
the trolley was produced to a premium standard.
LBB> You trundled along to Asda in Clapham –
what was the experience of the shoot like? Any particularly memorable reactions
from the public?
DR> We had plenty of looks of amazement from employees, shoppers and passers-by as it was
unloaded from the lorry and throughout the day, as you’d expect! Clearly, there were a number
of regulatory and legal hurdles to address prior to the shoot, so on the day
when consumers identified with the campaign strapline and asked if it was an “If
Carlsberg Did” stunt we were really happy with the reaction. We used a YouTube
influencer, Anto Sharp, to drive the trolley
for our content and this really helped increase its engagement rate.
LBB> Last year Carlsberg resurrected the ‘If Carlsberg did…’ line after a four-year break. What was the decision behind bringing it back?
DR> It never really went away, all you needed to do was look on social media and people were using 'Probably' and 'ICD' organically so we decided against our brand strategy to embrace it and bring it to life in a different way. That’s why we created the newsroom.
LBB> In its current incarnation, ‘If Carlsberg did…’ has involved a lot of projects that have been about bringing the Carlsberg fantasy to reality. (The billboard that poured pints last year and now the shopping trolley.) Why have you taken this approach and how have the public responded to you?
DR> Our aim is to broaden the appeal beyond football and reach new audiences. Experiential marketing creates a more engaging experience for our consumers, it allows the brand to develop transactional relationships and the consumer to get closer to the brand. The beer-dispensing poster was a perfect example of this, it allowed consumers to live/see/touch the brand, enriching the consumer experience. The important factor for us with all our experiential activity is ensuring we’re able to bring it to life through other channels for consumers that aren’t able to experience it in real-life – this year we’re hoping to take advantage of new channels and different innovation to push this even further.
LBB> One of our very, very favourite things from Carlsberg last year was the Beer Body Ready poster on the London Underground, poking fun at the Protein World ads. Talk about moment marketing! It must have been a pretty fast turnaround – how long was it from idea to display? And why was the Protein World controversy something you wanted to comment on as a brand?
DR> The Protein World controversy was something which captured global media attention, and being totally transparent we saw it as an opportunity to demonstrate the wit and humour our brand carries. We’re not precious about ideas having to fit within a set of parameters; if it’s credible and engaging we’re lucky enough to have the freedom to activate it.
Credit has to go to our all-agency team for
this, the original idea came from media agency OMD – within 20 hours the
creative had been worked up (Fold7), the ad was placed alongside Protein world ads on the underground (OMD),
captured and seeded into media (Clifford French) and managed through our social
channels (TMS). We all worked through the night to ensure the delivery of the
idea was as timely and responsive as possible.
LBB> In terms of developing the creative, how do you prefer to work with your creative agencies and partners? Do you do anything in house?
DR> A good idea can come from anywhere and when you’re
working with such a versatile property like ICD we’re lucky as the ideas come
in thick and fast. We don’t produce creative in house, we set the creative
agenda and put structure and focus behind the creative process. I believe that
our newsroom set up works well because we have four agencies from four
specialist disciplines that can all add a different perspective, which for me
ultimately results in great creative output.
LBB> What are the main marketing challenges
for beer brands today?
DR> The beer industry is an extremely
competitive place if you want to get your message across. For us we need to
find different and engaging ways to communicate with consumers, which is our
main challenge in such a competitive environment.
We’re seeing traditional forms of
marketing for beer brands (sponsorship activation, on-trade activation) being
supplemented by more digitally led, nuanced tactics such as influencer
engagement. Moving forward, this is something that we’ll definitely be doing
more of.
LBB> In terms of demographics I’d guess that your main audience is men in
the 18-40-something range? But how are Carlsberg drinkers evolving? And are
there any particularly distinct audience segments – if so how do you reach or
target them differently?
DR> Target
audience is broad but as you’d expect we do target sub segments and different
characteristics outside of age. However the main change is the way audiences
consume media – this has changed and continues to change – hence our decision
to move our focus to digital and social media rather than traditional media.
Traditional media stills plays a role but the broad reach means you can’t be as
targeted.
LBB> What’s on the cards for Carlsberg in
2016?
DR> Carlsberg is stepping into its
busiest year of football sponsorship ever in 2016 as the Official Beer of Euro 2016,
whilst obviously continuing the Premier League sponsorship. The Newsroom team
are leading the way by continuing to generate innovative and engaging
activations whilst taking an entirely different approach to the previous 20
years of traditional football sponsorship. ‘If Carlsberg Did’ will, of course,
underpin the entire campaign, and we are promising consumers engaging, witty
and intelligent content – and hopefully plenty more award wins!