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Nuke Compositor
Post Production
London, UK
29/11/2023
Office: Remote
We Are Covert is growing fast and we’re on the hunt for a Nuke Compositor. Covert is a proudly independent, people-first creative studio. In a nutshell - we love making great work and we love doing it with great people. Great work in question being but not limited to CG, VFX, animation & colour. We are on the lookout for a Nuke Compositor who can work side-by-side with our creative teams. Holding a keen eye for detail and striving for amazing work.  We’re looking for an ambassador of the studio, that can carry our values, collaborate, create and problem-solve. People are super important to us and above everything, we’re looking for another lovely human. Job Requirements Strong knowledge of Nuke and  VFX/post production pipelines Ability to deliver fantastic work  Contribute towards a positive work environment Being a role model for new members of the team, helping to nurture talent and develop it. Benefits of working at Covert Fully remote working with flexible hours 30 days of annual leave + 2 weeks off at Christmas & bank holidays Dedicated budget for learning & development resources Hardware & software supplements Regular IRL meetups for food & drinks Annual all-expenses-paid retreat Please only apply to jobs@wearecovert.com with the subject line “Comp Artist”. Due to the current high level of job applications, we cannot respond to every candidate
3D Creative Director
Post Production
London, UK
29/11/2023
Office: Remote
We Are Covert is growing fast and we’re on the hunt for a 3D Creative Director to lead our ever-growing team and enable them to deliver amazing work. Covert is a proudly independent, people-first creative studio. In a nutshell - we love making great work and we love doing it with great people. Great work in question being but not limited to CG, VFX, animation & colour. We are on the lookout for a 3D Creative Director to inspire, lead and collaborate with our other creative directors, CG teams, producers and clients to build and deliver amazing work for a range of global clients.  This is an opportunity for someone looking to make amazing work, with amazing people, outside of the rat-race. We are 100% remote and couldn’t be happier.  We pride ourselves on making London work, from wherever we want. We’re looking for an ambassador of the studio, that can carry our values, collaborate, create and problem-solve. Someone that takes responsibility, shows leadership, has empathy and inspires creativity. People are super important to us and above everything, we’re looking for another lovely human. Job Requirements Exceptional creative thinking  Strong knowledge of CG and post production pipelines Working knowledge of Cinema 4d, Octane, After Effects and/or Nuke  Delivering fantastic work whilst looking after the team and client. Building great long-term client relationships. Creating a positive work environment, addressing any issues openly and head-on. Carry the overall responsibility of the project’s creative integrity.  Continuously striving to improve the CG + creative department and processes. Being a role model for new members of the team, helping to nurture talent and develop it. Benefits of working at Covert Fully remote working with flexible hours 30 days of annual leave + 2 weeks off at Christmas & bank holidays Dedicated budget for learning & development resources Hardware & software supplements Regular IRL meetups for food & drinks Annual all-expenses-paid retreat Please only apply to jobs@wearecovert.com with the subject line “3D Creative Director”. Due to the current high level of job applications, we cannot respond to every candidate
Post Producer
Post Production
London, UK
31/10/2023
DESCRIPTION We are looking for a Post-Producer to join our team at DOMA. This is a full-time position at our office in Bermondsey London. ​ DOMA is a newly established London post-production company specialising in Colour and Edit. Co-founders Jake Evans and Morgan Faverty previously founded Pavilion Works , a social-first content production company, in 2017. DOMA continues to offer the high-quality post-production services Pavilion Works is known for, while also expanding its scope of potential clients and collaborators in the industry. DOMA represents colour and edit talent and has a growing roster, with plans for the development of further suites and ambitions of VFX capabilities in the near future. REQUIREMENTS As a post-producer, you will be involved and integral to all aspects of the post. You will be joining a growing team with the opportunity to lead. Day to day you will be managing and creating schedules, budgeting and liaising with clients in person and online, along with supporting talent scouting and new business. As we are a small team, it's essential you are able to come with the right energy and enthusiasm to easily become part of the family.   - Mid-weight level position - Experience working post-production is essential - Highly organised - Excellent communication skills - Maintain a professional manner at all times - Works well under pressure - Comfortable scheduling, quoting and budgeting - Experience of VFX and colour workflow is preferable - Self-motivated and able to take initiative - Hunger to learn and willingness to get stuck - Good people skills Applicants must provide a CV + cover letter and portfolio of work that demonstrates your post-producing abilities. DOE EMAIL: HELLO@DOMA.WORKS BENEFITS Yearly bonuses based on personal and company performance Pension Pure Gym Membership Flexible holiday and working arrangements
Tech Op
Post Production
London, UK
05/10/2023
Office: Remote and On-site
UNIT are looking for a Full-Time Tech Op to join our dynamic team. TechOp UNIT’s Technical Operations Department is the primary delivery and support department for the building. (VFX Edit, audio assist and grade will handle specialist deliveries, but the Tech Ops are always on standby to help in times of heavy workload). That is as broad as it sounds and you will be expected to at the very least, to be able to advise or know who to contact in the building, and some of the companies we deal with to obtain any necessary information or assistance. 3 Roles of UNIT’s Tech Op The Primary role over everything else: *Work as a team * Ensure that any final delivery is correct and only delivered to the appropriate people * Keeping the masters log or other log form up to date as necessary * Working with all departments to quickly and efficiently fix any perceived errors * Keep the producer informed * Ensure workflows are kept up to date, that you know them and that changes are communicated around the team The Secondary role is one of support : *Download and check any incoming media communicating issues or passing on to the relevant departments  * Creation of files for approval * Archive and restore projects into the flame * Restores from the project archives * Support of the departments around the building as needed and skill allows * Assist in the drive library The Third (important) role : Is to continue training and where possible work in other departments. (Although these should never get in the way of the above.) * In this instance we are looking for a person with an interest and desire to develop skills as a Flame / 2D artists.  * Liaise with the Head of Technical Operations and Head of 2D to organise a plan for training and progression. Please send your CV and interest to   careers@unit.tv
New Orleans, USA
31/12/2023
0
About Us Cadence Post is a post-production company headquartered in the Greater New Orleans area with a global reach. Our philosophy revolves around a comprehensive commitment, a whole-ass mentality, (as we like to call it) to ensure everything we do is approached with dedication and quality. Our offerings encompass post-production services for an array of intellectual property (IP) types including advertising, branded entertainment, film and television. As part of the network of our parent company, People Who Think, Cadence Post caters to an extensive range of advertising work across various industry sectors. Overview The successful candidate will have at least five (5) years of post-production experience as Post-Production Supervisor (or similar role) in the U.S. This is a demanding, fast moving position requiring a proactive, reliable self-starter with inherent good judgment and a positive nature. Job Type: Full-time (In Office) Pay: $50K-$80K based on experience. Benefits: - Company-paid health insurance - Company-paid dental insurance - Paid time off - Flexible schedule - 401k retirement plan with 4% match - Relocation package offered based on experience Schedule: - 8 hour days, Monday to Friday - Some nights and weekends required. Supplemental Pay Types: - Overtime - Bonus Pay Ability to commute/relocate: - Greater New Orleans area. - Reliably commute or planning to relocate before starting work (required). Responsibilities Department Oversight - Ensure all projects are completed on time, within budget and to spec in collaboration with the Head of Post-Production. - Work with producers, project managers, account team members and the Head of Post-Production to create post-production schedules for each project and forecast any special needs/requirements for specific productions. - Lead daily morning meetings with the team, in collaboration with the Head of Post-Production, to outline tasks for the day and the staff responsible for completing them. - Lead daily afternoon meetings, in collaboration with the Head of Post-Production, with remote team members. - Weekly Updates to Head of Post-Production, traffic/production manager and project managers on project statuses, deliveries and deadlines. - Collaborate with producers, project managers, editors, finishing and gfx to acquire necessary assets and materials to meet both internal and external client deadlines. - Coordinate staff and equipment resourcing for projects and maintain edit board and departmental task assignments in collaboration with the Head of Post-Production. - Develop post-production bids (budget and scope) adhering to AICP standards, In collaboration with the Head of Post-Production. - Ensure hard costs for specific projects (stock music/video/GFX assets, software, plugins, etc) have been entered into our billing system. Project Management & QA/QC - Responsible for the time allocations of all post-production personnel and equipment. - Initiate the post-process (when necessary) with an introductory email connecting the necessary teams (internal/external) and outlining schedules in collaboration with the Head of Post-Production. - Distribute cuts/proofs internally and externally (when necessary) for review. Collect and disseminate feedback/notes in collaboration with project managers to the team. Assist with implementation of notes as needed in collaboration with the In collaboration with the Head of Post-Production. - Responsible for the oversight and organization of final project delivery, including full-length material, cutdowns, stills, textless versions and captions, as well as, oversee the proper storage of masters and backups. - QC and Review content to maintain consistent, high quality standards across all projects.- Research and implement improvements to post-production workflows. - Continually update and improve edit manual, workflow guides and delivery checklist in collaboration with the Head of Post-Production. - Enforce best practices, file naming, organization and optimization protocols. - Train editors and producers on best practices in Adobe CC, both on an individual basis and workshop setting, in collaboration with the Head of Post-Production. - Periodically audit projects to ensure hard costs are properly accounted for in collaboration with the Head of Post-Production. - Maintain a cloud-based library of complete work.- Update vendor database and find new talent. Technology - Oversee and manage Frame.io accounts, ensuring all editors and pertinent company staff have proper access to the platform. - Troubleshoot software issues in Adobe CC and advise on hardware optimization in collaboration with our IT vendor and the Head of Post-Production. - Data I/O Management (Oversee Servers and Media - hard drives and field drives, primary and backup servers, cloud/tape archive storage) in collaboration with our IT vendor and the Head of Post-Production. - Oversee and manage Promax Platform file server and MediaHubs (NUCs) for remote/hybrid editors, colorists and motion designers. - Ensure all editors and staff have proper access to the server. - Oversee and manage Syncthing to ensure data is syncing properly to remote/hybrid staff and ensuring data integrity throughout this process. - Allocate field drives to producers, coordinate delivery of media from field to post, raw media to servers, archival and storage. - Coordinate with IT vendors and operations to ensure storage media is decommissioned, serialized and shredded in compliance with TPN processes. - Coordinate with our IT vendor and Promax Support to maintain and upgrade server software as needed. - Oversee and manage the archiving process of data to cloud storage.- Oversee and manage our Signiant Media Shuttle server and transfers. - Oversee the migration of our LTO tape library to the cloud. - Work with the Head of Post-Production on overall archival and storage solutions and forecast future needs. Qualifications - Proven experience as a Post-Production Supervisor (or similar role) in the film, television, or digital media industry. - Strong project management and organizational skills. - Excellent communication and interpersonal skills, with the ability to collaborate effectively with a diverse team. - Ability to multitask effectively. - Attention to detail and a strong creative eye to ensure the quality of the final product. - Knowledge of editing techniques, audio mixing, color correction techniques and software, media file formats, animated graphics and equipment used in day-to-day post-production processes. - Experience working on projects with fast (i.e. daily) turnarounds, tight deadlines and multiple editors. - Knowledge of file-based post-production workflows. - Proficiency in industry-standard software and tools, such as Adobe Premiere Pro, Adobe After Effects, Adobe Photoshop, Adobe Illustrator, DaVinci Resolve, Pro Tools, etc. - Strong technical skills and the understanding of IT and a proficiency in Windows 10/11 and macOS operating systems. - Familiarity with budget management and cost control practices. - Proficient with AICP budgeting and best practices. - Knowledge of TPN (Trusted Partner Network) guidelines and certification process. - Experienced with Adobe Acrobat, Microsoft Office, Google Drive/Docs. - Experience with Monday.com and/or other cloud-based project management software is a plus. - Experience with Signiant Media Shuttle is a plus. - CSM (Certified Scrum Master) Certification is a plus. ​ Join our team and contribute to the success of exciting advertising, film, digital media and television projects. Apply today by sending your resume, portfolio, and a cover letter detailing your relevant experience and accomplishments to jobs@cadencepost.tv. Please type "Post-Production Supervisor Application - [Your Name]" in the email subject line. Please Note: Only shortlisted candidates will be contacted. Thank you for your interest in joining our team at Cadence Post. ​ Cadence Post and its parent company is an Equal Opportunity Employer. All qualified applicants will receive consideration for employment without regard to race, color, age, religion, sex, sexual orientation, gender identity/expression, national origin, disability, protected veteran status, or any other characteristic protected under federal, state or local law, where applicable, and those with criminal histories will be considered in a manner consistent with applicable state and local laws.